IBOV 167,921.80 ▼ 0.75% IPC MEX 69,779.20 ▼ 0.01% MERVAL 92,079 ▼ 2.59% USD/BRL5.44▲ 1.17% USD/MXN18.79▼ 0.39% USD/CLP993.12▲ 0.49% USD/COP3,232▲ 2.08% USD/PEN3.47▲ 0.16% USD/ARS1,534▼ 0.29% USD/UYU40.19▲ 3.18% USD/PYG5,965▲ 5.35% USD/BOB12.07▲ 3.37% USD/DOP60.42▲ 0.50% USD/CRC451.45▲ 2.56% USD/GTQ7.64▲ 3.29% USD/HNL26.88▲ 0.49% USD/NIO36.62▲ 0.04% USD/VES887.03▼ 0.13% USD/PAB1.00— 0.00% USD/BZD2.00— 0.00% USD/JMD157.99▲ 2.89% USD/TTD6.71▲ 2.13% EUR/BRL6.08▲ 2.03% BRENT 109.58 ▼ 5.38% WTI 100.12 ▼ 1.61% IRON ORE 161.91 — — COPPER 6.65 ▲ 2.24% GOLD 4,073 ▲ 0.85% SILVER 54.49 ▲ 0.70% SOY 1,250 ▲ 0.70% CORN 450.25 ▼ 1.04% WHEAT 614.75 ▼ 0.20% COFFEE 294.35 ▼ 2.19% SUGAR 19.26 ▲ 0.84% ORANGE JUICE 143.20 ▲ 5.45% COTTON 77.90 ▼ 1.47% COCOA 5,581 ▲ 1.66% BEEF 230.73 ▲ 0.33% CATTLE 346.40 ▼ 1.00% LITHIUM 62.43 ▲ 1.89% PETR4 53.31 ▼ 1.06% VALE3 62.88 ▼ 2.33% ITUB4 41.42 ▼ 0.67% BBDC4 15.69 ▼ 1.63% ABEV3 15.40 ▲ 0.20% BBAS3 17.59 ▲ 0.69% B3SA3 15.27 ▲ 1.33% WEGE3 45.78 ▲ 2.81% PRIO3 69.21 ▼ 2.71% SUZB3 47.14 ▼ 0.55% RENT3 31.14 ▼ 1.67% AZZA3 16.72 ▲ 1.15% CSAN3 2.69 ▼ 2.89% RAIZ4 0.34 — 0.00% PCAR3 2.22 ▼ 3.48% GMAT3 3.74 ▲ 2.19% PSSA3 47.75 ▼ 0.89% CVCB3 0.98 — 0.00% POSI3 3.56 ▼ 0.84% SLCE3 16.97 ▼ 2.75% NATU3 5.68 ▼ 3.89% BRKM5 3.80 ▲ 19.50% RANI3 7.34 ▼ 0.54% CSNA3 4.76 ▼ 4.99% IBOV 167,921.80 ▼ 0.75% IPC MEX 69,779.20 ▼ 0.01% MERVAL 92,079 ▼ 2.59% USD/BRL 5.34 ▼ 1.32% USD/MXN 18.69 ▲ 0.62% USD/CLP 983.47 ▼ 0.57% USD/COP 3,149 ▲ 3.06% USD/PEN 3.45 ▲ 0.17% USD/ARS 1,537 ▼ 0.28% USD/UYU 40.21 ▲ 3.57% USD/PYG 5,803 ▲ 3.78% USD/BOB 11.97 ▲ 4.93% USD/DOP 60.54 ▲ 1.83% USD/CRC 451.24 ▲ 2.13% USD/GTQ 7.64 ▲ 3.23% USD/HNL 26.87 ▲ 3.37% USD/NIO 36.62 ▲ 2.81% USD/VES 885.08 ▼ 0.13% USD/PAB 1.00 — 0.00% USD/BZD 2.00 — 0.00% USD/JMD 157.69 ▲ 2.63% USD/TTD 6.71 ▲ 2.07% EUR/BRL 5.95 ▲ 7.53% BRENT 109.58 ▼ 5.38% WTI 100.12 ▼ 1.61% IRON ORE 161.91 — — COPPER 6.65 ▲ 2.24% GOLD 4,073 ▲ 0.85% SILVER 54.49 ▲ 0.70% SOY 1,250 ▲ 0.70% CORN 450.25 ▼ 1.04% WHEAT 614.75 ▼ 0.20% COFFEE 294.35 ▼ 2.19% SUGAR 19.26 ▲ 0.84% ORANGE JUICE 143.20 ▲ 5.45% COTTON 77.90 ▼ 1.47% COCOA 5,581 ▲ 1.66% BEEF 230.73 ▲ 0.33% CATTLE 346.40 ▼ 1.00% LITHIUM 62.43 ▲ 1.89% PETR4 53.31 ▼ 1.06% VALE3 62.88 ▼ 2.33% ITUB4 41.42 ▼ 0.67% BBDC4 15.69 ▼ 1.63% ABEV3 15.40 ▲ 0.20% BBAS3 17.59 ▲ 0.69% B3SA3 15.27 ▲ 1.33% WEGE3 45.78 ▲ 2.81% PRIO3 69.21 ▼ 2.71% SUZB3 47.14 ▼ 0.55% RENT3 31.14 ▼ 1.67% AZZA3 16.72 ▲ 1.15% CSAN3 2.69 ▼ 2.89% RAIZ4 0.34 — 0.00% PCAR3 2.22 ▼ 3.48% GMAT3 3.74 ▲ 2.19% PSSA3 47.75 ▼ 0.89% CVCB3 0.98 — 0.00% POSI3 3.56 ▼ 0.84% SLCE3 16.97 ▼ 2.75% NATU3 5.68 ▼ 3.89% BRKM5 3.80 ▲ 19.50% RANI3 7.34 ▼ 0.54% CSNA3 4.76 ▼ 4.99%
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Sunday, November 1, 2026

Africa Africa & the Great Powers

The Four of Us Reaches Netflix After e.tv Premiere

By · June 30, 2026 · 5 min read
The Four of Us South Africa Netflix — Johannesburg skyline, South Africa
The Johannesburg skyline. South African television is increasingly built for a global audience. (Photo: Ryanj93, CC BY-SA 4.0, via Wikimedia Commons)

SOUTH AFRICA · ENTERTAINMENT

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Key Facts

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Dual launch: The Four of Us premiered on 29 June 2026 on free-to-air e.tv, with episodes arriving on Netflix on 30 June 2026.

Two release rhythms: Episodes air weeknights on e.tv at 8 pm, then land on Netflix daily the following day.

The makers: It is produced by Tshedza Pictures, the studio founded by Phathutshedzo Makwarela and Gwydion Beynon.

Big shoes: The show takes the prime 8 pm weekday slot left by Scandal!, which ran for 23 years.

The cast: Sindi Dlathu plays Busani, the eldest sibling, with Sdumo Mtshali as her ambitious brother Bobbi.

The momentum: It follows The Polygamist, which reached fourth on Netflix’s global non-English chart and the top 10 in 63 countries.

The Four of Us, a new South African telenovela, premiered on 29 June 2026 on both free-to-air e.tv and Netflix at once. The dual launch shows how South African storytelling is now built for a global audience, not just a local one.

How The Four of Us reaches the world

For decades South African soaps lived on local screens and rarely travelled. The Four of Us breaks that pattern by reaching the world the same week it reaches home.

Viewers in South Africa watch it free on e.tv every weekday evening at 8 pm. International audiences pick it up on Netflix, where new episodes arrive weekly on Tuesdays.

That two-track model lets a national broadcaster and a global streamer share the same show. It is a template more African producers are likely to copy.

The approach also protects the local broadcaster. Free television keeps the mass home audience, while streaming adds reach and revenue abroad.

The team behind the hit

The series is made by Tshedza Pictures, founded by Phathutshedzo Makwarela and Gwydion Beynon. The studio has built a strong track record in South African drama.

Its profile rose sharply with The Polygamist, a Tshedza title that became a worldwide hit on Netflix. The show reached fourth on the platform’s global non-English chart and the top 10 in 63 countries, including the United States, within two weeks.

That success gave Netflix the confidence to take the studio’s next telenovela worldwide. The Four of Us arrives with that momentum behind it.

Tshedza built its name on dramas such as The River and Legacy. Those shows trained the writers and crews now working to a global standard.

Filling the shoes of Scandal!

The show inherits one of the most valuable slots on South African television. It replaces Scandal!, which held the 8 pm weekday hour on e.tv for 23 years.

Taking that slot is both an opportunity and a test. A loyal nightly audience is there to be won, but it expects a lot.

The story centres on the influential Dhlomo family, whose members are bound by blood yet divided by ambition and old wounds. Sindi Dlathu and Sdumo Mtshali anchor the cast.

Why a South African soap matters globally

Television is becoming one of Africa’s quieter exports. When a local drama lands on Netflix, it carries South African voices, places and accents to millions of homes abroad.

It also supports a working creative economy: writers, actors, crews and studios with steady output. A hit show keeps that machine running and trains the next wave of talent.

South Africa already exports music, sport and film talent. Television is the next chapter in that cultural reach.

For the wider continent, the lesson is about reach. African stories no longer need to wait for permission to find a global audience.

What to watch next

The early question is whether weekly Netflix drops can hold international viewers used to bingeing whole seasons. The nightly local rhythm and the slower global one will be tested side by side.

A strong run could pull more global money into local production. That would mean bigger budgets and more jobs on the ground.

If The Four of Us travels as far as The Polygamist did, it strengthens the case for more dual launches. The bigger prize is a steady pipeline of South African shows built for the world from day one.

A bigger shift for African television

The launch is part of a broader change in how the world watches African stories. Streaming has shrunk the distance between a Johannesburg studio and a living room abroad.

Netflix has backed African originals for years, with mixed results. A locally made hit that travels on its own merits is a stronger signal.

For viewers far from South Africa, shows like this are a window into the country’s language, humour and family life. That kind of soft power is hard to buy.

The test now is consistency. One breakout is a moment, but a run of them would make South Africa a fixture on the global schedule.

Frequently Asked Questions

What is The Four of Us?

It is a new South African telenovela that premiered on 29 June 2026 on both e.tv and Netflix. It follows the influential Dhlomo family.

Where can I watch The Four of Us?

Episodes air free on e.tv at 8 pm on weekdays in South Africa, and new episodes land on Netflix weekly on Tuesdays for international viewers.

Who makes The Four of Us?

It is produced by Tshedza Pictures, the studio founded by Phathutshedzo Makwarela and Gwydion Beynon, which also made the global hit The Polygamist.

Why does it matter that it is on Netflix?

The dual launch lets a South African show reach a worldwide audience the same week it airs at home, a sign of African television going global.

Connected Coverage

African creative industries keep gaining ground, from Nollywood’s record box office to a South African AI opera and the continent’s $31 billion fashion economy.


The Big Picture

Africa: The New Scramble — why the world’s powers are competing for the continent

This article was produced by The Rio Times’ automated newsroom system. How we use AI · Report an error · Editorial responsibility: Matthias Camenzind, Editor-in-Chief

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