Brazilian Band Eddie Drops 11th Album ‘Noturna’, Plans Tour
Music: Recife
Key Facts
—Release. “Noturna”, the 11th studio album by Eddie, arrived on streaming platforms on August 2, 2026.
—New colors. Cumbia, salsa and bolero enter the band’s sound for the first time, folded into its trademark “Original Olinda Style”.
—Songwriting. Ten of the 11 tracks are by frontman Fábio Trummer; the closing “Poema da Paz” is by Erasto Vasconcelos, who died in 2016.
—Tour. Eight confirmed dates run from August 13 to November 26, including São Paulo, Rio de Janeiro and a Recife homecoming.
—Veterans. Formed in Olinda in 1989, Eddie has spent 37 years mixing rock with the rhythms of Pernambuco.
Banda Eddie Noturna marks a late-career turn: after 37 years, the Olinda band’s 11th album folds cumbia, salsa and bolero into its sound, with an eight-city Brazilian tour through November.
Thirty-Seven Years In, Still Raising the Bar
Eddie was formed in 1989 in Olinda, the historic colonial city that forms part of the Recife metropolitan area in Brazil’s Northeast. Over 11 studio albums, the band built a signature it calls “Original Olinda Style” — the title of its second record — a collision of rock guitars with frevo, reggae, ska and the carnival rhythms of its home state of Pernambuco.
The new album arrives three years after “Carnaval Chanson” (2023), a covers project, and returns the band to original material. Released on August 2 on streaming platforms, “Noturna” is the group’s 11th studio album in 37 years of activity, with 11 tracks.
“The 11th album really needed to raise the bar a little and try to reach for other things,” singer, guitarist and main songwriter Fábio Trummer told Folha de Pernambuco. Trummer is the only remaining member of the band’s original lineup.
Inside “Noturna”: From Cabaret Bolero to Cumbia
The title track opens the record as a near psychedelic bolero, with Trummer’s guitar and André Oliveira’s keyboards and synthesizers setting a cabaret-like nocturnal mood. It is one of two songs Trummer co-wrote with Samuel Mota, the album’s co-producer.
The second, “Tudo Pode Ser”, is a full-fledged salsa that restores the band’s festive drive — for Eddie, dancing has always been a form of resistance. Later, “Vou Chamar Meu Povo” dives into cumbia; Trummer has said it is the track where he pushed furthest for new tones, at one point recording on a 1972 Fender Telecaster bass.
The album also keeps quieter corners. Júlia Carvalho sings the ballad “Outra Solidão”, “A Tua Verdade” flirts with bossa nova under flute and whistling, and “The End” gives a break-up a folk-tinged reggae treatment, with a realejo — a hand-cranked organ — standing in for a Bob Dylan-style harmonica.
Between those poles sit “Saudade da Folia”, which turbocharges frevo and caboclinho with rock’n’roll, the ballad “Poema Mudo” and the road-worn chronicle “Terra Sem Lei”. And “Titi e Tom Tom” is an instrumental lullaby: a melody Trummer once hummed to lull his sons Matias and Tomás to sleep, now arranged for guitar with Zé Cafofinho’s rabeca and bandolim.
A Tribute That Closes the Album
“Noturna” ends with the only track not written by the band. “Poema da Paz” is by Erasto Vasconcelos, the Pernambuco composer and arranger who died in 2016, and the recording fuses archival audio of his own voice with the band’s new tracks.
The choice closes a circle. Vasconcelos wrote “O Baile de Betinha”, one of Eddie’s signature hits and, by Brazilian press accounts, the band’s most-played song on Spotify.
He was also the brother of Naná Vasconcelos, the internationally renowned percussionist who took Brazilian rhythms to the world’s jazz stages.
Trummer has framed the tribute as proof that looking forward does not mean forgetting who helped build the road — a theme that runs through an album made by a band thinking consciously about its own legacy.
Back Home in the Studio
“Noturna” reunites Eddie with producer Buguinha Dub, who helmed one of the group’s landmark records, “Carnaval no Inferno” (2008). Musical production is by Trummer and Buguinha Dub, with co-production by Samuel Mota, mixing by Buguinha Dub and mastering by Arthur Joly.
Recording took place at the Mundo Novo studio in Olinda and at Zarabatana Records in Brasília — a deliberate return to the band’s home turf. Trummer describes the aesthetic as a garage-band finish with dub elements, “reaffirming our schools, from João Gilberto to Johnny Ramone.”
The core band is Trummer (voice, guitar and violão), André Oliveira (keyboards and trumpet), Rob Meira (bass) and Kiko Meira (drums). Guests across the record include guitarist JR Tostoi, Zé Cafofinho on rabeca and bandolim, and singer Júlia Carvalho.
Banda Eddie Noturna Tour: Eight Dates Across Brazil
The band has confirmed an opening run of eight tour dates between August and November, mixing club shows with festival slots. It opens with two nights in São Paulo, at Sesc 14 Bis on August 13 and 14.
From there the tour heads to Caruaru for the Festival Pernambuco Meu País on August 29, Brasília’s Festival Jurema Dança on September 12, and Belo Horizonte’s Autêntica club on September 19. On October 17 the band plays Circo Voador, the historic tented venue in Rio de Janeiro’s Lapa district.
November brings the home stretch: Natal on November 12, with the venue still to be announced, then a homecoming at Recife’s Teatro do Parque on November 14, the historic theater in the band’s own metropolitan area. The confirmed run closes at Rex Bar in Maceió on November 26, with more dates expected.
Why a Band From Olinda Still Matters
Eddie never became a global export on the scale of Brazil’s biggest pop acts, but inside the country it is a reference point of the independent scene. Brazilian critics have tagged its sound over the years as a “mix of punk, frevo and dance”, “Nirvana with Carnaval” and “beachside post-punk”.
For foreign listeners, “Noturna” is a useful door into that world. Its turn toward cumbia, salsa and bolero connects Pernambuco’s carnival culture to the wider Latin American songbook — a reminder that Brazilian music keeps renewing itself well beyond the bossa nova and funk that usually travel abroad.
Whether the new colors hold will be tested on stage through November. The album itself is out now on streaming platforms, 37 years after the band first formed in Olinda.
Frequently Asked Questions
When was Banda Eddie’s album “Noturna” released?
“Noturna” was released on August 2, 2026, on streaming platforms. It is the band’s 11th studio album in 37 years of activity and contains 11 tracks.
Where is Banda Eddie from?
Eddie was formed in 1989 in Olinda, in the state of Pernambuco, Brazil, part of the Recife metropolitan area. The band’s mix of rock, frevo, reggae and ska is known as “Original Olinda Style”.
Where can I see Banda Eddie on the Noturna tour?
Eight dates are confirmed between August 13 and November 26, 2026: São Paulo, Caruaru, Brasília, Belo Horizonte, Rio de Janeiro, Natal, Recife (Teatro do Parque on November 14) and Maceió.
Connected Coverage
Brazil’s independent music scene keeps producing new chapters four decades on.
Sources: Folha de Pernambuco; G1 / Blog do Mauro Ferreira; Jornal do Commercio; CBN Recife.
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