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Saturday, August 29, 2026

Expats & Nomads Expats in Argentina

Tonight at Buenos Aires’ Teatro Colón, Argentina: Beethoven’s ‘Sacred’ Fourth Piano Concerto

By · August 29, 2026 · 4 min read

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Tonight in Buenos Aires

Key Facts

  • The concert. Beethoven’s Piano Concerto No. 4 in G major — tonight, Saturday, August 29, at the Teatro Colón, Buenos Aires.
  • The soloist. Margarita Höhenrieder, joined by the Camerata Bariloche.
  • The nickname. Known among great pianists as ‘the sacred concerto’.
  • Where it was written. In Vienna’s Pasqualati-Haus, Beethoven’s favorite residence, where he also composed the Fifth and Sixth Symphonies, ‘Für Elise’ and ‘Fidelio’.
  • The house today. The Pasqualati-Haus survives intact as a national museum in Vienna, 220 years after Beethoven rented his two-room top-floor apartment there.

The Teatro Colón in Buenos Aires, Argentina, presents Beethoven’s Piano Concerto No. 4 tonight, Saturday, August 29: German pianist Margarita Höhenrieder joins the Camerata Bariloche for the work the great pianists call ‘the sacred concerto’ — written in Beethoven’s beloved Pasqualati-Haus in Vienna.

Buenos Aires' Teatro Colón, where Beethoven's Fourth Piano Concerto sounds tonight
Beethoven’s Piano Concerto No. 4 — written in Vienna’s Pasqualati-Haus — is heard tonight at the Teatro Colón (Photo: via Wikimedia Commons) (Photo: Leandro Kibisz, CC BY-SA 4.0 via Wikimedia Commons)
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One of Beethoven’s most poetic scores sounds tonight at the Teatro Colón — and the story of the house where it was written is as fascinating as the music.

Teatro Colón Beethoven Night: What You Will Hear

The Teatro Colón Beethoven program tonight centers on the Fourth Piano Concerto, a work that opens not with orchestral thunder but with the piano alone, quietly — one of the most revolutionary beginnings in the concerto literature.

Margarita Höhenrieder, one of Germany’s most respected Beethoven interpreters, performs with the Camerata Bariloche, Argentina’s flagship chamber orchestra, on the country’s most famous stage.

The House Where the Concerto Was Born

Beethoven lived intermittently between 1804 and 1815 at the Pasqualati-Haus on Vienna’s Mölkerbastei — a stately house overlooking the Prater gardens, owned by his patron Baron Johann Baptist Pasqualati.

There he composed the Fifth Symphony ‘of fate’, the ‘Pastoral’ Sixth and the Eighth, the bagatelle ‘Für Elise’, the ‘Archduke’ Trio and the opera ‘Fidelio’ — and finished the Fourth Piano Concerto that sounds in Buenos Aires tonight.

Bettina Brentano’s Famous Letter

It was at the Pasqualati-Haus, on May 28, 1810, that novelist Bettina Brentano met Beethoven and wrote her legendary letter to Goethe: ‘When I saw him for the first time, the world disappeared… this man anticipates humanity.’

Beethoven, a deep admirer of Goethe, wrote back: ‘My dear Bettina, there is no spring more beautiful than this year’s — I feel it because I have met you.’

Practical Notes for Tonight

The Teatro Colón sits on Libertad street, between the Obelisco and Tribunales — Subte lines B, C and D all get you close; arrive early for the hall’s famously strict start times.

Last-minute seats for Colón symphonic programs often remain at accessible prices — check teatrocolon.org.ar or the box office on Tucumán before assuming a sellout.

Frequently Asked Questions

What is playing at the Teatro Colón on August 29, 2026?

Beethoven’s Piano Concerto No. 4 with pianist Margarita Höhenrieder and the Camerata Bariloche, on Saturday evening, August 29, 2026.

What is the Pasqualati-Haus?

Beethoven’s favorite Vienna residence (1804–1815), where he composed the Fifth and Sixth Symphonies, ‘Für Elise’, ‘Fidelio’ and finished the Fourth Piano Concerto — today a national museum.

Why is Beethoven’s Fourth called the ‘sacred concerto’?

Great pianists call it ‘the sacred concerto’ for its spiritual, inward character — beginning with the piano alone in a hush rather than the usual orchestral introduction.

Sources

La Nación — En los años de la Pasqualati-Haus · Teatro Colón — programación

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Sources: La Nación (Cecilia Scalisi); Teatro Colón.

This article was produced by The Rio Times’ automated newsroom system. How we use AI · Report an error

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