The ‘Age of Adaline’ review: Blake Lively’s onscreen chemistry with Harrison Ford is a force to be reckoned with – sponsored

RIO DE JANEIRO, BRAZIL – ‘Age of Adaline’ is a 2015 American film portraying one of the best romantic melodramas. This is a movie in which Harrison Ford gives the best performance in two decades. Here we see a softer side to the gruff actor, leading to some of his finest acting in years. As for Blake Lively, she’s fantastic as the titular Adaline.

She plays a character who ages for decades after a tragic accident in her 20s. Unable to die but too young to grow old, Blake becomes as timeless as her male romantic lead, played by Michiel Huisman with effortless charm.

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As the film opens, Adaline (Blake Lively) is and forever has been 29. She was born in 1908, so she has lived for nearly a century under the same circumstances—no dramatic shifts in technology, no war, no change at all. Adaline Bowman was blessed with a face that never aged. In fact, Blake Lively seems a perfect choice for this character.

Now, a man is standing on the bridge, who turns out to be Ellis Jones (Michiel Huisman), who is just about the nicest guy you could run into on a bridge. He wishes her good morning then walks past her.

As he does so, he drops his ring into her hand. She goes after him and returns it — this is how they meet — and as they walk along the bridge together, she hears that his name is Ellis, which is also her husband’s name. Within days, they are married and have a daughter named Amanda (played as an older woman by Harrison Ford).

Indeed, Flemming will never age. But this isn’t a movie about immortals or vampires; it’s about a woman who has apparently found a way to stop time for herself. The film presents two versions of Flemming, one at each end of Adaline’s life, and the performance by Lively becomes more interesting as she carries on through time. In the early scenes, she looks like any young actress playing an ingenue; later, she seems older than Burstyn.

In the second half of ‘The Age of Adaline’, we see what happens when characters who have been denied the chance to grow old — or grow up — finally get their chance. They have to decide whether they want to accept it or not.

The Age of Adaline’s premise (a woman never ages after an accident, so she has to lie about her age for the rest of her life) is a clever twist on the classic Pygmalion/Groundhog Day scenarios. But its eventual message is no surprise: you’ve married a great guy but don’t dump him because he doesn’t have gray hair and wrinkles.

If you’d just given us more time with Ford and Baker before the slow march to their inevitable reunion, this movie would have been far more mesmerizing.

The movie’s greatest mistake is that it fails to use the apparent star of its title. Michiel Huisman plays Ellis Jones, the first man with whom Adaline falls in love after her miraculous rebirth.

And he’s fantastic, one of those actors whose riveting face can express an anguished thought without a word — he can do much more with a furrowed brow than most actors can do with a soliloquy. And yet, for all the excellent work he does here, the movie doesn’t seem to trust him to carry it. Instead, it keeps interrupting his scenes with flashbacks.

Age of Adaline, directed by Lee Toland Krieger (The Vicious Kind) and based on a novel by Lynn Weingarten, doesn’t try to take cheap shots at Blake Lively’s beauty or suggest that the leading lady looks older than she is.

Instead, it tries to explore what it means to age in our culture, whether you do or not. Age of Adaline invites us to consider the idea that being unageing isn’t necessarily a blessing or even a curse—but just a thing that happens to some people who have lived long enough.