IBOV 185,205.09 ▲ 3.05% IPSA 11,315.26 ▼ 1.14% IPC MEX 64,838.57 ▲ 0.50% MERVAL 3,093,014 ▲ 1.43% COLCAP 2,488.06 ▲ 0.72% BVL PERÚ 59,515.48 ▲ 0.10% USD/BRL5.09▼ 1.20% USD/MXN16.96▼ 0.22% USD/CLP936.79▼ 0.06% USD/COP3,152▼ 1.77% USD/PEN3.36— 0.00% USD/ARS1,511▼ 0.15% USD/UYU40.24▲ 1.21% USD/PYG5,885▲ 1.38% USD/BOB12.20▲ 4.46% USD/DOP58.55▲ 0.49% USD/CRC445.58▲ 1.89% USD/GTQ7.63▲ 2.07% USD/HNL26.83▲ 1.45% USD/NIO36.62▲ 0.20% USD/VES799.17▼ 0.13% USD/PAB1.00— 0.00% USD/BZD2.00— 0.00% USD/JMD 157.28 — 0.00% USD/TTD6.66▲ 0.93% EUR/BRL5.90▼ 1.87% BRENT 88.88 ▼ 0.03% WTI 83.11 ▼ 0.11% IRON ORE 161.91 — — COPPER 6.61 ▲ 0.03% GOLD 4,461 ▲ 1.78% SILVER 65.59 ▲ 1.26% SOY 1,184 ▲ 3.20% CORN 480.50 ▲ 10.02% WHEAT 655.00 ▲ 3.93% COFFEE 317.25 ▼ 5.51% SUGAR 16.43 ▼ 1.79% ORANGE JUICE 138.55 ▼ 0.47% COTTON 85.03 ▲ 2.33% COCOA 5,719 ▲ 3.18% BEEF 223.60 ▼ 3.93% CATTLE 339.10 ▼ 3.16% LITHIUM 75.20 ▲ 1.47% PETR4 41.64 ▼ 0.05% VALE3 72.97 ▲ 0.83% ITUB4 38.60 ▼ 1.03% BBDC4 16.85 ▲ 0.36% ABEV3 14.89 ▼ 0.80% BBAS3 19.37 ▲ 0.47% B3SA3 14.26 ▼ 0.21% WEGE3 47.59 ▲ 0.49% PRIO3 59.14 ▼ 0.19% SUZB3 41.33 ▲ 2.35% RENT3 34.68 ▼ 0.09% AZZA3 15.89 ▼ 2.63% CSAN3 3.22 ▼ 1.83% RAIZ4 0.25 — 0.00% PCAR3 2.75 ▼ 0.36% GMAT3 3.65 ▼ 1.08% PSSA3 48.13 ▼ 0.54% CVCB3 1.33 ▼ 2.92% POSI3 3.36 ▲ 2.44% SLCE3 13.34 ▲ 0.30% NATU3 8.14 ▼ 0.73% IBOV 185,205.09 ▲ 3.05% IPSA 11,315.26 ▼ 1.14% IPC MEX 64,838.57 ▲ 0.50% MERVAL 3,093,014 ▲ 1.43% COLCAP 2,488.06 ▲ 0.72% BVL PERÚ 59,515.48 ▲ 0.10% USD/BRL 5.16 ▲ 0.01% USD/MXN 17.06 ▼ 0.24% USD/CLP 913.98 ▲ 0.04% USD/COP 3,140 ▲ 0.03% USD/PEN 3.36 ▼ 0.66% USD/ARS 1,493 ▲ 0.10% USD/UYU 40.27 ▲ 1.24% USD/PYG 5,939 ▲ 1.68% USD/BOB 11.64 ▼ 0.76% USD/DOP 58.34 ▲ 1.25% USD/CRC 445.92 ▲ 0.89% USD/GTQ 7.62 ▲ 2.21% USD/HNL 26.79 ▲ 1.57% USD/NIO 36.62 ▲ 0.69% USD/VES 762.44 ▼ 0.13% USD/PAB 1.00 — 0.00% USD/BZD 2.00 — 0.00% USD/JMD 157.28 — 0.00% USD/TTD 6.70 ▲ 0.61% EUR/BRL 5.95 ▲ 1.01% BRENT 88.88 ▼ 0.03% WTI 83.11 ▼ 0.11% IRON ORE 161.91 — — COPPER 6.61 ▲ 0.03% GOLD 4,461 ▲ 1.78% SILVER 65.59 ▲ 1.26% SOY 1,184 ▲ 3.20% CORN 480.50 ▲ 10.02% WHEAT 655.00 ▲ 3.93% COFFEE 317.25 ▼ 5.51% SUGAR 16.43 ▼ 1.79% ORANGE JUICE 138.55 ▼ 0.47% COTTON 85.03 ▲ 2.33% COCOA 5,719 ▲ 3.18% BEEF 223.60 ▼ 3.93% CATTLE 339.10 ▼ 3.16% LITHIUM 75.20 ▲ 1.47% PETR4 41.64 ▼ 0.05% VALE3 72.97 ▲ 0.83% ITUB4 38.60 ▼ 1.03% BBDC4 16.85 ▲ 0.36% ABEV3 14.89 ▼ 0.80% BBAS3 19.37 ▲ 0.47% B3SA3 14.26 ▼ 0.21% WEGE3 47.59 ▲ 0.49% PRIO3 59.14 ▼ 0.19% SUZB3 41.33 ▲ 2.35% RENT3 34.68 ▼ 0.09% AZZA3 15.89 ▼ 2.63% CSAN3 3.22 ▼ 1.83% RAIZ4 0.25 — 0.00% PCAR3 2.75 ▼ 0.36% GMAT3 3.65 ▼ 1.08% PSSA3 48.13 ▼ 0.54% CVCB3 1.33 ▼ 2.92% POSI3 3.36 ▲ 2.44% SLCE3 13.34 ▲ 0.30% NATU3 8.14 ▼ 0.73%
since 2009
Wednesday, September 2, 2026

Colombia Entertainment

Family of ‘Ugly Betty’ Creator Fernando Gaitán Sues Over Streaming Rights

By · July 15, 2026 · 4 min read

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Colombia · Intellectual Property

Key Facts

Global Franchise The original ‘Betty, la fea’ telenovela, created by Fernando Gaitán, has been adapted into over 20 international versions, making its rights extremely valuable.

Original Rights Holder Colombia’s RCN Televisión produced the original 1999 series and is reported to hold the rights used to make a new streaming deal with Amazon.

Streaming Sequel A sequel series premiered on Amazon Prime Video in July 2024, produced by RCN and starring the original lead actors, reviving the IP for the streaming era.

Alleged Financial Damage A related legal dispute reportedly involves alleged losses of 8,000 million Colombian pesos, underscoring the high financial stakes in legacy content rights.

Digital Rights Precedent The case highlights how creators’ heirs are increasingly challenging legacy contracts that did not clearly define digital and streaming distribution rights.

The daughters of the late Fernando Gaitán, creator of the global telenovela phenomenon ‘Betty, la fea’ streaming rights, are suing over control of the series’ digital future as a new sequel streams on Amazon Prime Video.

Family of 'Betty, la fea' Creator Fernando Gaitán Sues Over Streaming Rights
Colombia · Intellectual Property
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The Legacy of a Global Phenomenon

Fernando Gaitán created ‘Yo soy Betty, la fea’ for RCN Televisión, where it first aired on October 11, 1999. The original series ran for 335 episodes and became one of the most adapted scripts in television history, with local versions produced in markets from India to the United States.

After Gaitán’s death in 2019 at age 58, his daughter Luisa Gaitán has been publicly identified as the family member handling efforts to defend his intellectual property rights. The current legal action targets the distribution of the series on streaming platforms, which generates new revenue streams that were not explicitly covered in original broadcast-era contracts.

A New Sequel Sparks an Old Dispute

Amazon Prime Video announced a sequel titled ‘Betty, la fea: la historia continúa’ in July 2023, premiering it globally on July 19, 2024. RCN Televisión produced the show, bringing back original stars Ana María Orozco and Jorge Enrique Abello to reprise their iconic roles.

According to production reports, RCN was described as the rights holder that negotiated and signed the agreement with Amazon to produce and distribute the sequel. This commercial transaction is at the heart of the Gaitán family’s complaint, which argues the creator’s estate is entitled to a share of the compensation from the streaming deal.

The Economic Dimensions of the Fight

The financial figures in the broader legal context are substantial. Reporting by API indicates that one related legal matter involves alleged losses totaling 8,000 million Colombian pesos, while a proposed deduction in the case record was a much smaller 12 million pesos, described as ‘laughable’ by the claimants.

For investors and rights holders, the dispute illustrates a critical tension in Latin America’s creative economy. Legacy intellectual property with proven global demand can see its value multiply overnight through new distribution deals, but ambiguous legal frameworks governing digital rights often leave creators’ original compensation grossly misaligned with modern streaming revenues.

Why This Matters for Intellectual Property in Latin America

This lawsuit serves as a high-profile test case for how Latin American courts will interpret pre-digital authorship contracts in the streaming age. Many regional content libraries were built under laws that did not anticipate on-demand global distribution, creating a legal vacuum that courts are now being asked to fill.

Foreign investors and streaming platforms expanding in Latin America should closely monitor the outcome. A ruling in favor of Gaitán’s heirs could establish a precedent requiring platforms to renegotiate rights deals with the estates of original creators, potentially raising the cost of licensing legacy content across the region.

Frequently Asked Questions

Who created ‘Betty, la fea’ and who is suing?

The telenovela was created and written by Colombian screenwriter Fernando Gaitán. Following his death in 2019, his daughter Luisa Gaitán has taken the lead in a legal effort to defend his intellectual property rights against RCN Televisión and streaming platforms.

What is the lawsuit about?

The lawsuit concerns the rights to stream the original series and a new sequel on platforms like Amazon Prime Video. The Gaitán family claims the creator’s estate is owed compensation from streaming deals that were signed using rights held by the production company RCN Televisión.

What are the sums of money involved in the dispute?

One part of the broader legal dispute alleges losses of 8,000 million Colombian pesos, while a related deduction proposal was for only 12 million pesos, an amount the claimants described as insignificant compared to the value generated by the intellectual property.

Sources: API – Cuentas pendientes del creador de Betty, la fea, Fernando Gaitán, La Vanguardia – Prime Video recupera a Betty, la fea dos décadas después, Wikipedia – Yo soy Betty, la fea, Publimetro México – Fernando Gaitán, Betty la fea: muerte y legado

This article was produced by The Rio Times’ automated newsroom system. How we use AI · Report an error

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